HOPE — FEATURED (2026)
저는 다르게 보게 됐어요. 처음엔 그냥 마을을 쑥대밭으로 만든 위험한 괴물이라고 생각했는데, 뒤에 가서 바미기르가 새끼를 찾으러 내려온 거였다는 걸 알고 나니까 그냥 이유 없이 사람을 해치는 괴물로만 보이지 않았어요.
THE END? ASKS /044
THE CONVERSATION CONTINUES
저는 다르게 보게 됐어요. 처음엔 그냥 마을을 쑥대밭으로 만든 위험한 괴물이라고 생각했는데, 뒤에 가서 바미기르가 새끼를 찾으러 내려온 거였다는 걸 알고 나니까 그냥 이유 없이 사람을 해치는 괴물로만 보이지 않았어요.
사정이 있었다고 다르게 볼 필요는 없다고 봄 이해할 이유가 생겨도 잘못한 게 없어지는 건 아니라서
처음처럼 쉽게 괴물이라고 부르고 싶진 않아. 그렇다고 곁에 있어도 안 무서울 거라는 건 아니고... 불쌍한 마음이 생기는 거랑 가까이 갈 수 있는 건 좀 다른 것 같아.
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Directed by Christopher Nolan An adaptation of Homer’s epic.
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01If you have the power to save someone, does that automatically give you the responsibility to do it?02Is being Spider-Man a gift or a curse for Peter Parker?03If the world forgot who you were, would you try to rebuild the relationships you lost?04Do you think Peter has an obligation to give up an ordinary life?05If you were Peter, would you choose to become Spider-Man again?06If Spider-Man had been born in your country, would the idea of a hero's responsibility be understood differently?
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Directed by Kane Parsons Horror A horror film from A24.
THE END? ASKS
01Did this film scare you—or did it feel strangely comforting?02What was scarier about the Backrooms—the monsters, or the fact that there seemed to be no end?03How long do you think a person could remain sane in an endless empty space?04Would you enter the Backrooms to save someone you cared about?05Did the space itself feel like a character in the film?06Does your culture have an image or story about a place that feels familiar yet inexplicably unsettling, like the Backrooms?THE END? ASKS
On life, love, and the things a film leaves behind.
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